By Alexandra Ganser
Interpreting Jack Kerouac's vintage On the Road via Virginia Woolf's canonical A Room of One's Own, the writer of this booklet examines a style in North American literature which, regardless of its attractiveness, has bought little recognition in literary and cultural feedback: women's highway narratives. The research indicates how women's literature has inscribed itself into the yank discourse of the Whitmanesque "open road", or, extra often, the "freedom of the road". ladies writers have participated during this robust American fable, but while even have rejected that delusion as essentially in line with gendered and racial/ethnic hierarchies and tool constructions, and converted it within the strategy of writing again to it. The booklet analyzes tales approximately lady runaways, outlaws, questers, adventurers, kidnappees, biker chicks, vacationing saleswomen, and picaras and makes theoretical observations at the debates relating to discourses of spatiality and mobility-debates that have outlined the so-called spatial flip within the humanities. The analytical proposal of transdifference is brought to theorize the dissonant plurality of social and cultural affiliations in addition to the narrative tensions produced via such pluralities with a purpose to higher comprehend the textual worlds of women's a number of assets as they're found in those writings. Roads of Her Own is therefore not just positioned within the broader context of a constructivist cultural stories, but in addition, by way of discussing narrative mobility less than the signal of gender, combines insights from social concept and philosophy, feminist cultural geography, and literary reports. Key names and ideas: Doreen Massey - Rosi Braidotti - Literary experiences - Spatial flip - Gendered area and Mobility - Nomadism - highway writing - Transdifference - American tradition - pop culture - Women's Literature after the second one Wave - Quest - Picara.
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